《存在狀態》（2026）
這件作品誕生於 CCL 一段停滯與迷惘的時期。
很長一段時間，CCL 對設計失去了熱情。她曾以為，經過多年的設計訓練，每一次創作都應該擁有完整的概念與足夠深刻的意義，因此遲遲無法允許自己，只是單純地創作。
進入社會後，她開始不斷追尋方向，也花了幾年的時間探索內在。漸漸地，她發現，那份最初因為好奇而創作、因為喜歡而創作的自己，早已被目標、期待與各種「應該」所掩蓋。
直到這一次，她選擇放下分析與預設，沒有草圖，也沒有既定目標，只是順著直覺拿起畫筆，讓雙手帶領創作，而不是讓頭腦決定畫面的方向。
畫面中的色彩與形態自由流動，沒有固定的邊界，也沒有絕對的秩序，如同雲層、地景與宇宙，也像生命本身持續流動的樣貌。色彩彼此交融、相互滲透，讓她重新感受到萬物並非彼此分離，而是在流動之中共同存在、相互影響。
經過幾年的內在探索，CCL 終於再次允許自己，不帶目的地創作。她重新想起，創作從來不是為了證明自己的價值，而是忠於每一次真實的感受；不是急著尋找答案，而是在創作之中，重新找回那份最純粹的快樂。
這件作品不僅是一幅畫，更是一段重新相信創作、重新相信自己的旅程。
創作，始於體驗，也始於觀察。
STATE OF BEING (2026)
This work was created during a period of uncertainty and creative stagnation.
For a long time, CCL had lost her passion for design. After years of design education, she believed that every project needed to carry a fully developed concept and a meaningful purpose.
Without realizing it, she had become unable to simply create.
As she entered the professional world, she spent several years searching for direction while exploring her inner self.
Gradually, she realized that the part of her that once created out of pure curiosity and joy had been overshadowed by expectations, goals, and the constant pressure of what she believed she should be creating.
This piece marks a turning point. For the first time in a long while, she put aside analysis, expectations, and predefined outcomes. With no sketch and no destination in mind, she simply picked up her iPad and allowed intuition—not logic—to guide her hands.
The flowing colors and organic forms have no fixed boundaries or absolute order. They resemble clouds, landscapes, or distant views of the earth, reflecting the continuous movement of life itself.
Colors blend seamlessly into one another, reminding her that nothing exists in isolation; everything is interconnected, constantly influencing and transforming one another.
After years of inner exploration, CCL finally gave herself permission to create without purpose. She rediscovered that creativity is not about proving one's worth, but about responding honestly to one's inner experience. Rather than searching for answers, she found joy in simply creating again.
More than a painting, this work represents a journey back to creativity—and back to herself.
Creation begins with experience. It begins with observation.
